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Sidney Poitier'due south 7 Most Memorable Performances
In honor of his passing, we look dorsum at the films of the history-making Hollywood dandy.
(Photo by Tommaso Boddi/Getty Images)
In accolade of his passing, early on today were are republishing a commemoration article we released on his birthday dorsum in 2019. As 1 of the first African-American flick stars, Poitier boasts a career littered with accolades, historical moments, and seminal performances too numerous count. Equally Hollywood tribute pour in for the incredible histrion, nosotros at RT idea it the perfect fourth dimension to highlight just a few of our favorite performances from the iconic player'southward career. With threescore-plus credits spanning over 60 years, it was a virtually-incommunicable feat, but hither are our seven favorite Sidney Poitier performances. We encourage you all to re-visit (or enjoy one for the first time) over the weekend to celebrate the legendary actor's memory.
Blackboard Jungle (1955) 74%
This was the role that put Poitier on the map. The struggles of educators and students are well documented in this fierce and controversial film, based on Evan Hunter'south seminal novel about inner-city school conditions. Modern audiences might struggle to sympathize with the tactics employed by Poitier's character, Gregory Miller, but the cultural impact his performance had on both society and education is undeniable.
The Defiant Ones (1958) 91%
Poitier garnered his start Oscar Nomination for his portrayal of Noah Cullen, an escaped black convict shackled to white fellow escapee John "Joker" Jackson, played by Tony Curtis. Motivated to survive and escape, the foes are forced to work together and eventually come up to respect one another. The conflict and eventual cooperation between the two men plays out against the properties of Jim Crow, underscoring the institutions of oppression that existed at the fourth dimension that would have prevented their friendship from developing. The final scene of Noah defiantly singing to Joker remains a near-perfect catastrophe to the prison house break antic.
A Raisin in the Sun (1961) 95%
In the film adaptation of the eponymous stage play, Poitier plays Walter, the patriarch of the Youngers, a young black family living in 1950s Southside Chicago, trying to ameliorate themselves through family and a delivery to requite their children a better life. Interim as a cinematic counterpoint to the idealized American dream, the Youngers struggle to combat institutions and individuals expressionless set on never allowing them to ascension above. Walter is met with hostility and apprehension from those outside and from within his community as he strives to achieve, but through it all, he and his family unit persevere.
Lilies of the Field (1963) 92%
In this Oscar-winning role, Poitier plays Homer Smith, a traveling handyman who stumbles upon a grouping of German nuns. The nuns believe Homer was sent by God to assist them build a chapel, and past the final frames, the audience is all but convinced of the same. Even Queen Oprah Winfrey found herself without words during her Gilded Globe acceptance speech equally she tried to explain what information technology was like watching Poitier win that Oscar. Instead, she opted to quote his line from the film and but said, "Amen, amen, amen, amen." To which, I say no one could take put it meliorate.
Guess Who'due south Coming to Dinner (1967) 72%
If the kickoff role you almost closely associate with Poitier is not In the Heat of the Dark, the probable winner is Estimate Who'southward Coming to Dinner. Playing a black man meeting his white fiancée'due south liberal and affluent parents, Guess Who's Coming to Dinner was one of the first positive portrayals of interracial spousal relationship to hitting the big screen. Interim alongside Hollywood legends Spencer Tracey nd Kathleen Hepburn, Poitier made his mark on a verifiable American cinematic masterpiece. The influences and themes of Guess Who Coming to Dinner tin be seen in several modern-day adaptations — Jordan Peele brilliantly subverted those themes for social commentary and comedic effect in Go out.
In the Heat of the Nighttime (1967) 95%
"They call me Mister Tibbs!" Poitier spoke those words inIn the Oestrus of the Night, and both the motion picture and the line have become synonymous with the role player'southward career. Sitting at number sixteen on the American Film Institute's "100 Years… 100 Movie Quotes" list, the rebuke to racist Mississippi Police Primary Gillespie (Rod Steiger) is a matter of beauty. Playing Virgil Tibbs, a Pittsburgh detective charged with solving a homicide in the Deep South, Poitier navigates prejudice and incompetence to gain the respect of his would-be antagonist. And with his assist, the police endeavour to solve the suspenseful, complicated whodunit.
Sneakers (1992) 79%
(Photograph by Universal Pictures)
In a refreshing change of pace later on in his career, Poitier starred in this ensemble suspense one-act. Robert Redford, Dan Aykroyd, David Strathairn, River Phoenix, and Poitier all play former spies working as security consultants. The coiffure inadvertently get caught upward in a web of deception involving a one-time acquaintance (Ben Kingsley) when they're tasked with the high stakes retrieval of a very powerful slice of regime equipment. Playing Donald Crease as an aging, more-than-over-it former CIA amanuensis and the team's voice of reason, Poitier showed us that he tin can exist, in fact, quite hilarious.
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Source: https://editorial.rottentomatoes.com/article/sidney-poitiers-7-most-memorable-performances/
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